The Key Factory presenteert wereldklasse op cultuurmarkt Antwerpen 2016
07-08-2016 10:11
Intussen is de cultuurmarkt achter de rug. Het was een groot succes mede dankzij het fijne publiek.
Lees meer op de website van the Key Factory: the-key-factory.webnode.be/
foto (c) Marin Baeten, GVA
De artiesten:
Nouvelle Philharmonie
Nouvelle Philharmonie is een ensemble rond Sergey Smirnov (piano, orgel) en Dima Tsypkin (cello), die elkaar leerden kennen op de staatsacademie van Wit-Rusland. Zij brengen werken van onder meer Jean Sibelius, Arvo Pärt en Philip Glass.
Dima Tsypkin won talrijke prijzen bij internationale wedstrijden en werkte met grootmeesters als Zubin Metha en Lorin Mazel.
Sergey Smirnov was te zien op het Grachtenfestival in Amsterdam en het Steve Reich festival in Den Haag en behaalde titels op competities in Tagasaki (Japan) en Porto (Portugal).
Ze ontvingen naar aanleiding van hun betoverende vertolking van de vier seizoenen van Astor Piazzolla het Gouden Label Aanmoediging 2016 van Klassiek Centraal:
Lees mee: knopskaya.webnode.be/news/la-nouvelle-philharmonie-een-gouden-label-aanmoediging/
Geniet mee: www.youtube.com/watch?v=vsWkXGMonKg
Hun persoonlijke website: www.nouvellephilharmonie.com
Hun optreedschema op de cultuurmarkt:
www.cultuurmarkt.be/2016/programma/?filter-term=nouvelle+philharmonie
Marina Baranova:
Marina Baranova is een uiterst begaafde pianiste die reeds op vijfjarige leeftijd als wonderkind werd ontdekt en uitgroeide tot wereldklasse. Ze studeerde in Duitsland bij onder meer Wladimir Krainew en maakte betoverende Schumann-opnames. Intussen was ze reeds overal ter wereld te horen en vooral te genieten. Met haar recente album, Firebird, bewees ze hoe ze uitheemse en inheemse klanken op een wonderbaarlijke manier kan verenigen.
Om 19 u kunt u de presentatie meemaken van haar nieuwe CD " Hypersuites", uitgegeven bij Berlin Classics
Een teaser met muziek en uitleg: www.youtube.com/watch?v=TgtMsc5yb_w
Graag verwelkomen we u en uw collega's(-organisatoren) op deze momenten. Mogelijkheid tot bijpraten in de Walburgiskerk bij een natje en een droogje.
Voorafgaande diskografie:
- 2007: Impromptu – Label Neuklang NCD4023 (LC 13834)
- 2012: Marina Baranova plays Schumann – Label Pianissimo (Edel)
- 2013: Firebird-Piano Meets World Percussion – Label Pianissimo (Edel)
de.wikipedia.org/wiki/Marina_Baranova
Haar optreedschema op de cultuurmarkt:
www.cultuurmarkt.be/2016/programma/?filter-term=baranova
Een voorsmaakje: www.youtube.com/watch?v=PFM7qzqGK_g
Volledige planning van de Key Factory-artiesten:
The Key Factory vertegenwoordigt artiesten als Marina Baranova, Elena Kolesnitschenko, Sergey Smirnov en Artiom Shiskov.
www.facebook.com/ thekeyfactory.net
Programmering Sint-Walburgiskerk:
13.00-13.30 uur - Marina Baranova, Hypersuites piano: Als pianiste combineert Marina Baranova technische bekwaamheid met muzikale diepgang. Zij brengt enkele passages uit haar nieuwe cd Hypersuites. 13.30-14.00 uur Marina Baranova & Elena Kolesnitschenko piano quatre-mains De 2 pianistes bespelen samen 1 piano en brengen werken van onder meer Rameau, Couperin, Scarlatt , Händel en Bach.
14.30 uur - Elena Kolesnitschenko, piano: De Oekraïense pianiste Elena Kolesnitschenko kreeg haar eerste pianolessen toen ze 7 was. Na haar opleiding in de speciale muziekscholen voor hoogbegaafde kinderen van Kharkov en Moskou, vervolgde ze haar studie aan de Academie voor Muziek en Theater in Hannover. In haar internationale carrière speelde zij al concerten bij de VN in New York en in de residentie van de paus in het Vaticaan. Ze brengt Bachbewerkingen van onder meer Siloti, Busoni en Rachmaninov. www.elenakolesnitschenko.de
Enkele teasers: www.youtube.com/watch?v=L8DHnJvayPA
www.youtube.com/watch?v=ePV69gLET4c&feature=youtu.be
Een portret: The name of Ukrainian pianist Elena Kolesnitschenko became known in Germany in the year 2000 through a much-acclaimed documentary film by Cologne-based director Irene Langemann called “Russlands Wunderkinder” (Russian Wonder Children) and its successor “Die Konkurrenten” (The Competitors) ten years later. The films portrayed the adolescent life of four extraordinarily talented Russian pianists. Long since Elena has completed the step from a “wonder child” to a grown-up pianist and is enchanting audiences around the world. Elena was born Charkiv, Ukraine. During a childhood in a working-class environment, her talent for music was discovered rather accidentally. Beginning at the age of seven Elena took piano lessons and had her international debut only two years later – playing at the U. N. O. in New York and for Pope John Paul II. in the Vatican. A typical representative of the Russian piano school, educated in Moscow, highly gifted, and technically perfect, she came to Germany in 2000 at the age of 18 to continue her studies under the supervision of Prof. Vladimir Krainev, a former pupil of Heinrich Neuhaus, in Hannover. But it was making the acquaintance of Hatto Beyerle, founder of the Alban Berg Quartet, that finally helped her become a grown-up artist with a strong personality that audiences can admire on stage today. She studied studying the classical German composers in particular and became especially devoted to Ludwig van Beethoven. This has changed both her professional and her emotional relationship with music itself. At the same time Germany has become her new home, and she wouldn’t miss it now. She has become a grown-up European musician who is doing anything than just hammering out her notes. On stage, she always tells a complete musical story and takes the listener on a journey to discover the soul behind the sound. In the winner’s lists of important competitions for professional pianists, you will search fo the name of Elena Kolesnitchenko in vain. For her, music is neither competition nor a show of ability. The audience does not love her for lines in her curriculum vitae, but for the emotions and the joy the way she plays sets free. In this respect, she reminds experts of the great Russian pianist Evgeni Kissin. Because she firmly believes in the originality and depth of classical music, she always remains skeptical of attempts to make classical music more popular when they just result in sheer superficiality. Concerts with Elena Kolesnitschenko cannot be called events in the way the word is often used today. They are not orchestrated. They are just pure music that makes the soul melt and the breath stop. This pianist does not play for effect, does not try to impress the audience with big gestures – the leaves the center stage to music itself – a luxury she can afford since her sheer presence at the piano and her personality are sure to gain the attention of the listeners anyway. A crystal-clear strike on the keys, rhythmic vitality and a passionate interaction with the instrument have pulled audiences out of their seats sure enough in the Philharmonic of Cologne as much as in smaller venues.Meeting Elena Kolesnitschenko and witnessing her playing the piano can alter our idea of music. It can reveal a love and an understanding that we did not know to be hidden inside our souls.
2000 through a much-acclaimed documentary film by Cologne-based director Irene
Langemann called “Russlands Wunderkinder” (Russian Wonder Children) and its successor
“Die Konkurrenten” (The Competitors) ten years later. The films portrayed the adolescent life
of four extraordinarily talented Russian pianists.
Long since Elena has completed the step from a “wonder child” to a grown-up pianist and is
enchanting audiences around the world.
Elena was born Charkiv, Ukraine. During a childhood in a working-class environment, her
talent for music was discovered rather accidentally. Beginning at the age of seven Elena took
piano lessons and had her international debut only two years later – playing at the U. N. O. in
New York and for Pope John Paul II. in the Vatican.
A typical representative of the Russian piano school, educated in Moscow, highly gifted, and
technically perfect, she came to Germany in 2000 at the age of 18 to continue her studies
under the supervision of Prof. Vladimir Krainev, a former pupil of Heinrich Neuhaus, in
Hannover.
But it was making the acquaintance of Hatto Beyerle, founder of the Alban Berg Quartet, that
finally helped her become a grown-up artist with a strong personality that audiences can
admire on stage today. She studied studying the classical German composers in particular and
became especially devoted to Ludwig van Beethoven. This has changed both her professional
and her emotional relationship with music itself.
At the same time Germany has become her new home, and she wouldn’t miss it now. She has
become a grown-up European musician who is doing anything than just hammering out her
notes. On stage, she always tells a complete musical story and takes the listener on a journey
to discover the soul behind the sound.
In the winner’s lists of important competitions for professional pianists, you will search for
the name of Elena Kolesnitchenko in vain. For her, music is neither competition nor a show of
ability. The audience does not love her for lines in her curriculum vitae, but for the emotions
and the joy the way she plays sets free. In this respect, she reminds experts of the great
Russian pianist Evgeni Kissin. Because she firmly believes in the originality and depth of
classical music, she always remains skeptical of attempts to make classical music more
popular when they just result in sheer superficiality.
Concerts with Elena Kolesnitschenko cannot be called events in the way the word is often
used today. They are not orchestrated. They are just pure music that makes the soul melt and
the breath stop. This pianist does not play for effect, does not try to impress the audience with
big gestures – the leaves the center stage to music itself – a luxury she can afford since her
sheer presence at the piano and her personality are sure to gain the attention of the listeners
anyway. A crystal-clear strike on the keys, rhythmic vitality and a passionate interaction with
the instrument have pulled audiences out of their seats sure enough in the Philharmonic of
Cologne as much as in smaller venues.
Meeting Elena Kolesnitschenko and witnessing her playing the piano can alter our idea of
music. It can reveal a love and an understanding that we did not know to be hidden inside our
souls.
The name of Ukrainian pianist Elena Kolesnitschenko became known in Germany in the year
2000 through a much-acclaimed documentary film by Cologne-based director Irene
Langemann called “Russlands Wunderkinder” (Russian Wonder Children) and its successor
“Die Konkurrenten” (The Competitors) ten years later. The films portrayed the adolescent life
of four extraordinarily talented Russian pianists.
Long since Elena has completed the step from a “wonder child” to a grown-up pianist and is
enchanting audiences around the world.
Elena was born Charkiv, Ukraine. During a childhood in a working-class environment, her
talent for music was discovered rather accidentally. Beginning at the age of seven Elena took
piano lessons and had her international debut only two years later – playing at the U. N. O. in
New York and for Pope John Paul II. in the Vatican.
A typical representative of the Russian piano school, educated in Moscow, highly gifted, and
technically perfect, she came to Germany in 2000 at the age of 18 to continue her studies
under the supervision of Prof. Vladimir Krainev, a former pupil of Heinrich Neuhaus, in
Hannover.
But it was making the acquaintance of Hatto Beyerle, founder of the Alban Berg Quartet, that
finally helped her become a grown-up artist with a strong personality that audiences can
admire on stage today. She studied studying the classical German composers in particular and
became especially devoted to Ludwig van Beethoven. This has changed both her professional
and her emotional relationship with music itself.
At the same time Germany has become her new home, and she wouldn’t miss it now. She has
become a grown-up European musician who is doing anything than just hammering out her
notes. On stage, she always tells a complete musical story and takes the listener on a journey
to discover the soul behind the sound.
In the winner’s lists of important competitions for professional pianists, you will search for
the name of Elena Kolesnitchenko in vain. For her, music is neither competition nor a show of
ability. The audience does not love her for lines in her curriculum vitae, but for the emotions
and the joy the way she plays sets free. In this respect, she reminds experts of the great
Russian pianist Evgeni Kissin. Because she firmly believes in the originality and depth of
classical music, she always remains skeptical of attempts to make classical music more
popular when they just result in sheer superficiality.
Concerts with Elena Kolesnitschenko cannot be called events in the way the word is often
used today. They are not orchestrated. They are just pure music that makes the soul melt and
the breath stop. This pianist does not play for effect, does not try to impress the audience with
big gestures – the leaves the center stage to music itself – a luxury she can afford since her
sheer presence at the piano and her personality are sure to gain the attention of the listeners
anyway. A crystal-clear strike on the keys, rhythmic vitality and a passionate interaction with
the instrument have pulled audiences out of their seats sure enough in the Philharmonic of
Cologne as much as in smaller venues.
Meeting Elena Kolesnitschenko and witnessing her playing the piano can alter our idea of
music. It can reveal a love and an understanding that we did not know to be hidden inside our
souls.
15.00-15.45 uur - Natalia Lipnitskaya, klassieke gitaar: Natalia Lipnitskaya begon op haar 9de klassieke gitaar te studeren en behaalde met haar magisch gitaarspel talrijke prijzen op internationale festivals. Lipnitskaya brengt een solo uit haar nieuwe cd met Bachbewerkingen voor gitaar. www.nataliaguitar.com
Een portret met geweldige teasers: www.youtube.com/watch?v=JBtqjZ7FDtY
Haar recentste album beluisteren? catalogue.musicinsiderecords.com/#/
Haar recentste album beluisteren? catalogue.musicinsiderecords.com/#/
16.00-16.45 uur - Nouvelle Philharmonie cello en orgel: Nouvelle Philarmonie is een ensemble rond Sergey Smirnov (piano, orgel) en Dima Tsypkin (cello), die elkaar leerden kennen op de staatsacademie van Wit-Rusland. Zij brengen werken van onder meer Sibelius, Pärt en Glass. Dima Tsypkin won talrijke prijzen bij internationale wedstrijden en werkte met grootmeesters als Zubin Metha en Lorin Mazel. Sergey Smirnov behaalde titels bij competities in Tagasaki (Japan) en Porto (Portugal) en was al te zien tijdens het Grachtenfestival in Amsterdam en het Steve Reich Festival in Den Haag. www.nouvellephilharmonie.com
17.00-17.45 uur - Marina Baranova & Kaveh Madadi: Firebird, klassiek/wereldmuziek: Ze heeft de fysieke uitstraling van een engel, maar speelt piano als een zwoele verleidster. Marina Baranova, geboren in een muzikale familie uit Charkov in Oekraïne, musiceert met de concentratie van een monnik, de levendigheid van een jazzzangeres en de verfi jnde klankpoëzie van een muzikale dichteres. Op de Cultuurmarkt brengt zij samen met Kaveh Madadi, percussionist en gespecialiseerd in Noord-Indische en Iraanse muziek, een eigen creatie: Firebird. Een ontmoeting tussen piano en oriëntaalse percussie.
18.00-18.45 uur - Damian Marhulets, dj-set. Electroartiest en componist Damian Marhulets brengt dance en trance op klassieke samples van de renaissance tot nu.
19.00-19.45 - uur Marina Baranova Hypersuites piano: Pre-release van Marina Baranova’s nieuwe cd Hypersuites, gebaseerd op de gracieuze en soms diep ontroerende muziek uit de barokperiode. Werken van Händel, Rameau, Bach en Couperin zijn het vertrekpunt voor briljante improvisaties en persoonlijke interpretaties. De pianiste maakt gebruik van uiteenlopende muziekgenres, van klassiek over pop tot jazz, en schept zo een uniek repertoir
Programmering Grote Markt - "groot podium":
15.30- 15.50u: Marina Baranova & Kaveh Madadi: Firebird
Programmering Mechelseplein- Sint-Joriskerk:
13.30-13.50 uur - Dima Tsypkin & Natalia Lipnitskaya cello en gitaar. Dima Tsypkin (cello) won al heel wat internationale wedstrijden en werkte met grootmeesters als Zubin Metha en Lorin Mazel. Natalia Lipnitskaya begon op haar 9de klassieke gitaar te studeren en behaalde met haar magisch spel talrijke prijzen op internationale festivals. Samen spelen Tsypkin en Lipnitskaya werken van Bach, Piazzolla en de Falla. Lipnitskaya brengt ook een korte solo uit haar nieuwe cd met werken van Bach.
14.30-14.50 uur - Nouvelle Philharmonie cello en orgel. Nouvelle Philarmonie is een ensemble rond Sergey Smirnov (piano, orgel) en Dima Tsypkin (cello), die elkaar leerden kennen op de staatsacademie van Wit-Rusland. Zij brengen werken van onder meer Sibelius, Pärt en Glass. Dima Tsypkin won talrijke prijzen bij internationale wedstrijden en werkte met grootmeesters als Zubin Metha en Lorin Mazel. Sergey Smirnov behaalde titels bij competities in Tagasaki (Japan) en Porto (Portugal) en was al te zien tijdens het Grachtenfestival in Amsterdam en het Steve Reich Festival in Den Haag. www.nouvellephilharmonie.com
Contact: Chris van der Avert - The Key Factory
Wouter Haecklaan 1 bus 8
2100 Antwerpen
+ 32 495 222 212
chris@thekeyfactory.net
Marina Baranova Nouvelle Philharmonie Elena Kolesnitschenko Natalia Lipnitskaya